LOOKING INTO THE MAD EYE OF HISTORY WITHOUT BLINKING
Griffin situates Uganda’s past within global questions of connectivity, technology, and conflict. His method, layering colonial documents, state symbols, family portraits, and everyday images, creates a visual grammar of fracture that refuses containment. It is a practice he extends through History in Progress Uganda (HIPUganda), a public archive he co-founded with artist and educator Andrea Stultiens, dedicated to making Uganda’s visual history accessible and contestable.
